If you came here thinking of the screams and riffs of Aersomith’s most famous single and their Live Concert staple anthem – Livin’ on the Edge, you couldn’t be more wrong. But hold on because you are at the right place at ironic some level. Just as the legendary band put to melody issues ranging from racism to religion in the song, this too is about such social issues. It talks about communities in Bhutan who live off the map -without roads, electricity and other everyday things that we take for granted.
A community neglected by media, their own suave urbanites, yet strangely not by the Bhutanese Royals, especially the Queen Mother (read/watch the session: The Travelling Eye). Remote and ‘so far from anywhere’ these communities live on the edge not just geographically (though that can be contested if one speaks of the Bhutanese terrain and settlements along or below the edges of mountains and cliffs like the famous Tiger’s Nest Monastery); and economically living off a harsh land and dangerous forest; but also culturally preserving an amalgamation of wisdom that would sound strange to a city dweller.
Marie Venø Thesbjerg, Passang Passu Tshering, Dr. Francoise Pommaret in conversation with Siok Sian Dorji, discusses these issues beautifully in this namesake session at the Usha presents Mountain Echoes Literary Festival 2014 at Thimphu Bhutan.
As an added bonus it is a pleasure to listen to Marie Venø Thesbjerg’s talk about yet another kind of ‘Living on the Edge’ – that of Buddhist Nuns; not only did she live among them but also made a documentary on them.